• Doris Wintgens Hötte Peggy, Nelly

  Peggy Guggenheim en Nelly van Doesburg voorvechters van De Stijl

  Levensverhaal van Peggy Guggenheim en Nelly van Doesburg, geëmancipeerde vriendinnen die van grote betekenis zijn geweest voor de opkomst en acceptatie van de moderne kunst in de 20e eeuw.

  Non-fictie

  Nederlands | 159 pagina's | nai010 uitgevers, Rotterdam | 2017

  Gedrukt boek

• Meindert Talma Je denkt dat het komt

  Autobiografische teksten over de periode 1997-2001 en songs van de Nederlandse popzanger (1968). Met cd.

  Fictie

  Nederlands | 280 pagina's | Uitgeverij Passage, Groningen | 2017

  Gedrukt boek

• Willem te Slaa | Tonko Grever | Quirine van Aerts Ferdinand Bol

  het huis, de collectie, de kunstenaar

  Beschrijving van het maatschappelijke succes van beroepskunstschilder Ferdinand Bol (1616-1689) en zijn netwerken binnen de elite in Amsterdam.

  Non-fictie

  Nederlands | 63 pagina's | WBOOKS, Zwolle | 2017

  Gedrukt boek

• Bram de Klerck In het hart van de Renaissance

  schilderkunst uit Noord-Italië, 1500-1600

  Tentoonstellingscatalogus met een overzicht en bespreking van het werk van enkele minder bekende Italiaanse renaissancekunstenaars uit het noorden van Italië, met nadruk op de stad Brescia.

  Non-fictie

  Nederlands | 176 pagina's | Rijksmuseum Twenthe, Enschede | 2017

  Gedrukt boek

• Rosa Loy Bilder Bergen

  Malerei

  Overzicht van het werk van de Duitse schilderes Rosa Loy, portretten van sensuele en krachtige meisjes/jonge vrouwen. Opvallend zijn de vervormingen, bloemen en planten, de handelingen en het huiselijke, op een vervreemdende droomachtige manier.

  Non-fictie

  Nederlands | Duits | 78 pagina's | WBOOKS, Zwolle | 2017

  Gedrukt boek

• Steven Vande Moortele Two-dimensional sonata form

  form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky

  Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form. Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and Schoenbergian Formenlehre, Caplin's theory of formal functions, and Hepokoski and Darcy's Sonata Theory), it begins by developing an original theoretical framework for the analysis of this type of form...

  Non-fictie

  Engels | 220 pagina's (PDF, 6,8 MB) | Leuven University Press, Leuven | 2017

  E-book

• Orpheus Institute Ohne Worte

  vocality and instrumentality in 19th-century music

  The musical thought and practice of canonical composers. What can music tell us-without words? Can it depict scenes, narrate stories, elucidate beliefs? And can it be an instrument through which we access the inner lives not only of musicians from the past but of ourselves, today? In Ohne Worte five scholars and performers probe these and related questions to illuminate both the experience and performance of nineteenth-century music. Drawing on a rich range of sources, they reveal the musical thought...

  Non-fictie

  Engels | 230 pagina's (PDF, 10 MB) | Universitaire Pers Leuven, Leuven | 2017

  E-book

• (Dis)embodying myths in Ancien Régime opera

  multidisciplinary perspectives

  The role of mythology in Ancien Régime opera. Throughout the Ancien Régime, mythology played a vital role in opera, defining such epoch-making works as Claudio Monteverdi's La favola d'Orfeo (1607) and Christoph Gluck's Iphigénie en Tauride (1779). The operatic presence of the Greco-Roman gods and heroes was anything but unambiguous or unproblematic, however. (Dis)embodying Myths in Ancien Régime Opera highlights myth's chameleonic life in the Italian dramma per musica and French tragédie en...

  Non-fictie

  Engels | 184 pagina's (PDF, 4,9 MB) | Universitaire Pers Leuven, Leuven | 2017

  E-book

• New paths

  aspects of music theory and aesthetics in the age of romanticism

  New Paths, the seventh volume in the Writings of the Orpheus Institute, is a result of the third International Orpheus Academy for Music Theory. Five renowned scholars discuss a variety of topics related to romanticism, focusing especially on the years 1800-1840. In a much-needed historical and critical overview of the concept of organicism, John Neubauer ranges from its origins in Enlightenment biology to its aftermath in postmodernism. Janet Schmalfeldt shows that Beethoven's op.47 not only should...

  Non-fictie

  Engels | 200 pagina's (PDF, 6,7 MB) | Leuven University Press, Leuven | 2017

  E-book

• Thomas Christensen Partimento and continuo playing in theory and in practice

  This volume is a collection of essays based on lectures given at the International Orpheus Academy for Music Theory on 'Music and Theory: Thoroughbass in Practice, Theory, and Improvisation'. Hence the point of departure was not 'Music Theory' as such, but the interaction between music theory, music history, performance practice, aesthetics, and related sciences. This multidisciplinary approach, with the accent on the interplay between music performance and music theory, is reflected in the contributions...

  Non-fictie

  Engels | 136 pagina's (PDF, 4,3 MB) | Universitaire Pers Leuven, Leuven | 2017

  E-book

• Thomas Christensen Towards tonality

  aspects of baroque music theory

  This is a collection of essays based on lectures presented at the International Orpheus Academy for Music and Theory on "Historical Theory, Performance, and Meaning in Baroque Music". The often complex connections and intersections between, e.g., modal and tonal idioms, contrapuntal and harmonic organisation, were considered from various perspectives as to the transition (towards tonality) from the Renaissance to the Baroque era. Bron: Flaptekst, uitgeversinformatie

  Non-fictie

  Engels | Frans | 205 pagina's (PDF, 17 MB) | Leuven University Press, Leuven | 2017

  E-book

• Orpheus Institute Artistic experimentation in music

  an anthology

  Essential reading for anyone interested in artistic research applied to music. This book is the first anthology of writings about the emerging subject of artistic experimentation in music. This subject, as part of the cross-disciplinary field of artistic research, cuts across boundaries of the conventional categories of performance practice, music analysis, aesthetics, and music pedagogy. The texts, most of them specially written for this volume, have a common genesis in the explorations of the Orpheus...

  Non-fictie

  Engels | 416 pagina's (PDF, 5 MB) | Leuven University Press, Leuven | 2017

  E-book

• Unfolding time

  studies in temporality in twentieth century music

  Questions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars. For performers, the primary perception of music is arguably the way in which it unfolds in 'real time'; while for composers a work appears 'whole and entire', with the presence of the score having the potential to compress, and even eliminate, the perception of time as 'passing'. The paradoxical relationship between these two perspectives, and the subtle mediations...

  Non-fictie

  Engels | 198 pagina's (PDF, 12 MB) | Leuven University Press, Leuven | 2017

  E-book

• Ewald Demeyere Johann Sebastian Bach's art of fugue

  performance practice based on German eighteenth-century theory

  Analyse en achtergrondinformatie bij 'Kunst der Fuge' van J.S. Bach (BWV 1080), ten behoeve van de uitvoeringspraktijk, gebaseerd op Duitse theorieën uit de 18de eeuw.

  Non-fictie

  Engels | 254 pagina's (PDF, 4,1 MB) | Leuven University Press, Leuven | 2017

  E-book

• What Is a cadence?

  theoretical and analytical perspectives on cadences in the classical repertoire

  The variety and complexity of cadence. The concept of closure is crucial to understanding music from the "classical" style. This volume focuses on the primary means of achieving closure in tonal music: the cadence. Written by leading North American and European scholars, the nine essays assembled in this volume seek to account for the great variety and complexity inherent in the cadence by approaching it from different (sub)disciplinary angles, including music-analytical, theoretical, historical,...

  Non-fictie

  Engels | 320 pagina's (PDF, 9,6 MB) | Leuven University Press, Leuven | 2017

  E-book

• "Recevez ce mien petit labeur"

  studies in Renaissance music in honour of Ignace Bossuyt

  After a distinguished career of more than 35 years, Ignace Bossuyt retired as professor at the Musicology Department of the University of Leuven on October 1st 2007. As an internationally recognised leader in the field of later-16th-century music, Bossuyt consolidated the department's reputation as a centre of excellence in renaissance music studies. Articles in this volume deal with music from the period on which the dedicatee focussed his own research. Subjects discussed include newly discovered...

  Non-fictie

  Engels | 312 pagina's (PDF, 6,4 MB) | Leuven University Press, Leuven | 2017

  E-book

• Alessandro Cervino The practice of practising

  The process of practising is intrinsic to musical creativity. Practising may primarily be thought of as technical, but it is often also musically meaningful, including elements of interpretation, improvisation, and/or composition. The practice room can be a space in which to explore a field of creative possibilities; a place to experiment and to refine ideas. To date, the literature on practice has been primarily pedagogical and psychological. Little attention is paid to the significance of practice,...

  Non-fictie

  Engels | 92 pagina's (PDF, 6,6 MB) | Leuven University Press, Leuven | 2017

  E-book

• Music, analysis, experience

  new perspectives in musical semiotics

  Transdisciplinary and intermedial analysis of the experience of music. Nowadays musical semiotics no longer ignores the fundamental challenges raised by cognitive sciences, ethology, or linguistics. Creation, action and experience play an increasing role in how we understand music, a sounding structure impinging upon our body, our mind, and the world we live in. Not discarding music as a closed system, an integral experience of music demands a transdisciplinary dialogue with other domains as well....

  Non-fictie

  Engels | 356 pagina's (PDF, 5,1 MB) | Leuven University Press, Leuven | 2017

  E-book

• Barbara Titus Recognizing music as an art form

  Friedrich Th. Vischer and German music criticism, 1848-1887

  The impact of Hegelian philosophy on 19th-century music criticism. Music's status as an art form was distrusted in the context of German idealist philosophy which exerted an unparalleled influence on the entire nineteenth century. Hegel insisted that the content of a work of art should be grasped in concepts in order to establish its spiritual substantiality (Geistigkeit), and that no object, word or image could accurately represent the content and meaning of a musical work. In the mid-nineteenth...

  Non-fictie

  Engels | 270 pagina's (PDF, 3,1 MB) | Leuven University Press, Leuven | 2017

  E-book

• Paulo C. Chagas Unsayable music

  six reflections on musical semiotics, electroacoustic and digital music

  Profound theoretical and philosophical approach to contemporary music. Unsayable Music presents theoretical, critical and analytical reflections on key topics of contemporary music including acoustic, electroacoustic and digital music, and audiovisual and multimedia composition. Six essays by Paulo C. Chagas approaching music from different perspectives such as philosophy, sociology, cybernetics, musical semiotics, media, and critical studies. Chagas's practical experience, both as a composer of...

  Non-fictie

  Engels | 300 pagina's (PDF, 4,9 MB) | Universitaire Pers Leuven, Leuven | 2017

  E-book

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