Zoekresultaten voor: *
Resultaat 781 - 800 (van 1902)
Kees van Houten | Marinus Kasbergen Bach en het getal
Non-fictie
Nederlands | 303 pagina's | Walburg Pers, Zutphen | 2007
Gedrukt boek
Roland Cassiman Flamenco, een passie
introductie; introducción al cante flamenco
Inleiding in het Nederlands en het Spaans tot de Spaanse zangkunst.
Non-fictie
Nederlands | Spaans | 107 pagina's | De Vleermuis, Roermond | 2007
Gedrukt boek
Pluche
de mooiste liedteksten van Drs. P, ... Hans Dorrestijn
Bloemlezing uit de Pluche-reeks met teksten van (cabaret)liedjes.
Non-fictie
Nederlands | 223 pagina's | Nijgh & Van Ditmar, Amsterdam | 2006
Gedrukt boek
Jan Bank | Emile Wennekes De klank als handschrift
Bernard Haitink en het Concertgebouworkest
Historisch overzicht over de 50-jarige relatie tussen dirigent Bernard Haitink (1929) en het Concertgebouworkest.
Non-fictie
Nederlands | 263 pagina's | Meulenhoff, Amsterdam | 2006
Gedrukt boek
Martin van Amerongen Mozart
de Engel van Salzburg
Bundeling van essays van de Nederlandse journalist (1941-2002) over Mozart.
Non-fictie
Nederlands | 171 pagina's | Mets & Schilt, Amsterdam | 2006
Gedrukt boek
David Brun-Lambert Nina Simone
het tragische lot van een uitzonderlijke zangeres
Biografie van de invloedrijke Amerikaanse zangeres/pianiste Nina Simone (1933-2003).
Non-fictie
Nederlands | 383 pagina's | Sirene, Amsterdam | 2006
Gedrukt boek
Francis Maes Geschiedenis van de Russische muziek
van Glinka tot Sjostakovitsj
Non-fictie
Nederlands | 430 pagina's | SUN, Amsterdam | 2006
Gedrukt boek
1001 albums
de meest spraakmakende albums aller tijden
Non-fictie
Nederlands | 960 pagina's | Librero, Kerkdriel | 2006
Gedrukt boek
Welke taal spreekt de muziek?
muziekfilosofische beschouwingen
Muziekfilosofische beschouwingen van Nederlandse deskundigen.
Non-fictie
Nederlands | 175 pagina's | DAMON, Budel | 2005
Gedrukt boek
Johan van Slooten Het beste uit de Radio 2 Top 2000
Informatie over de 100 beste platen uit jaargangen 1999 t/m 2002 van de Radio 2 Top 2000.
Non-fictie
Nederlands | 208 pagina's | Becht, Haarlem | 2003
Gedrukt boek
What Is a cadence?
theoretical and analytical perspectives on cadences in the classical repertoire
The variety and complexity of cadence. The concept of closure is crucial to understanding music from the "classical" style. This volume focuses on the primary means of achieving closure in tonal music: the cadence. Written by leading North American and European scholars, the nine essays assembled in this volume seek to account for the great variety and complexity inherent in the cadence by approaching it from different (sub)disciplinary angles, including music-analytical, theoretical, historical,...
Non-fictie
Engels | 320 pagina's (PDF, 9,6 MB) | Leuven University Press, Leuven | 2017
E-book
Willem Elders Josquin des Prez and his musical legacy
an introductory guide
A comprehensive guide for early music lovers and performers Josquin des Prez and His Musical Legacy is the most up-to-date contribution to the research on one of the most important and internationally famous composers of the Renaissance. This monograph offers factual information on the composer as well as insights into his 16th-century and modern reception, a survey of the sources of his music, and a discussion of the thorny issue of authorship. Willem Elders, one of the most distinguished scholars...
Non-fictie
Engels | 247 pagina's (PDF) | Leuven University Press, Leuven | 2017
E-book
"Recevez ce mien petit labeur"
studies in Renaissance music in honour of Ignace Bossuyt
After a distinguished career of more than 35 years, Ignace Bossuyt retired as professor at the Musicology Department of the University of Leuven on October 1st 2007. As an internationally recognised leader in the field of later-16th-century music, Bossuyt consolidated the department's reputation as a centre of excellence in renaissance music studies. Articles in this volume deal with music from the period on which the dedicatee focussed his own research. Subjects discussed include newly discovered...
Non-fictie
Engels | 312 pagina's (PDF, 6,4 MB) | Leuven University Press, Leuven | 2017
E-book
Paul Craenen Composing under the skin
the music-making body at the composer's desk
A revealing study of the physical presence of the musician in musical performance. Fingers slipping over guitar strings, the tap of a bow against the body of a cello, a pianist humming along to the music: contemporary composers often work with parasitic, non-conventional sounds such as these. Are they to be perceived as musical elements or do they shift attention to the physical effort of music-making, contact between a body and an instrument? Composer Paul Craenen explores ways in which the musician's...
Non-fictie
Engels | 288 pagina's (PDF, 2,9 MB) | Leuven University Press, Leuven | 2017
E-book
Unfolding time
studies in temporality in twentieth century music
Questions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars. For performers, the primary perception of music is arguably the way in which it unfolds in 'real time'; while for composers a work appears 'whole and entire', with the presence of the score having the potential to compress, and even eliminate, the perception of time as 'passing'. The paradoxical relationship between these two perspectives, and the subtle mediations...
Non-fictie
Engels | 198 pagina's (PDF, 12 MB) | Leuven University Press, Leuven | 2017
E-book
Orpheus Institute Ohne Worte
vocality and instrumentality in 19th-century music
The musical thought and practice of canonical composers. What can music tell us-without words? Can it depict scenes, narrate stories, elucidate beliefs? And can it be an instrument through which we access the inner lives not only of musicians from the past but of ourselves, today? In Ohne Worte five scholars and performers probe these and related questions to illuminate both the experience and performance of nineteenth-century music. Drawing on a rich range of sources, they reveal the musical thought...
Non-fictie
Engels | 230 pagina's (PDF, 10 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
Orpheus Institute | Thomas Christensen Partimento and continuo playing in theory and in practice
This volume is a collection of essays based on lectures given at the International Orpheus Academy for Music Theory on 'Music and Theory: Thoroughbass in Practice, Theory, and Improvisation'. Hence the point of departure was not 'Music Theory' as such, but the interaction between music theory, music history, performance practice, aesthetics, and related sciences. This multidisciplinary approach, with the accent on the interplay between music performance and music theory, is reflected in the contributions...
Non-fictie
Engels | 136 pagina's (PDF, 4,3 MB) | Universitaire Pers Leuven, Leuven | 2017
E-book
Orpheus Institute | Thomas Christensen Towards tonality
aspects of baroque music theory
This is a collection of essays based on lectures presented at the International Orpheus Academy for Music and Theory on "Historical Theory, Performance, and Meaning in Baroque Music". The often complex connections and intersections between, e.g., modal and tonal idioms, contrapuntal and harmonic organisation, were considered from various perspectives as to the transition (towards tonality) from the Renaissance to the Baroque era. Bron: Flaptekst, uitgeversinformatie
Non-fictie
Engels | Frans | 205 pagina's (PDF, 17 MB) | Leuven University Press, Leuven | 2017
E-book
Ewald Demeyere Johann Sebastian Bach's art of fugue
performance practice based on German eighteenth-century theory
Analyse en achtergrondinformatie bij 'Kunst der Fuge' van J.S. Bach (BWV 1080), ten behoeve van de uitvoeringspraktijk, gebaseerd op Duitse theorieën uit de 18de eeuw.
Non-fictie
Engels | 254 pagina's (PDF, 4,1 MB) | Leuven University Press, Leuven | 2017
E-book
Orpheus Institute Artistic experimentation in music
an anthology
Essential reading for anyone interested in artistic research applied to music. This book is the first anthology of writings about the emerging subject of artistic experimentation in music. This subject, as part of the cross-disciplinary field of artistic research, cuts across boundaries of the conventional categories of performance practice, music analysis, aesthetics, and music pedagogy. The texts, most of them specially written for this volume, have a common genesis in the explorations of the Orpheus...
Non-fictie
Engels | 416 pagina's (PDF, 5 MB) | Leuven University Press, Leuven | 2017
E-book